Alchemy Uses Many Symbols Such as Planets, Seasons, or Elements


The word is derived from the Arabian phrase "al-kimia," which refers to the preparation of the Stone or Elixir by the Egyptians. The Arabic root "kimia" comes from the Coptic "khem" that alluded to the fertile black soil of the Nile delta. Esoterically and hieroglyphically, the word refers to the dark mystery of the primordial or First Matter (the Khem), the One Thing through which all creation manifests. Alchemy, then, is the Great Work of nature that perfects this chaotic matter, whether it be expressed as the metals, the cosmos, or the substance of our souls. Understand the basic principles of alchemy by playing the incredible Secrets of Alchemy slots game. Head to and claim a no deposit bonus that will allow you to play for free. See what you can mix up in this middle age laboratory.

Magick Happens...


Air is one of the Four Elements of alchemy. Air in the alchemical sense carries the archetypal properties of spirit into the manifested world. It is associated with the operation of Separation and represented by the metal Iron.

Direction : East

Rules : The mind, knowledge, abstract learning, theory, imagination, ideas, beliefs, beginnings, rebirth

Elemental : Sprites

Time : Dawn

Season : Spring

Colors : Yellow, white, pastels

Tools : Athame, sword, censor

Zodiac : Aquarius, Gemini, Libra

Animals : Birds, Gryphons

Places : Windswept hills, high mountain peaks, towers


Earth is one of the Four Elements of alchemy. Earth in the alchemical sense carries the archetypal properties of manifestation, birth, and material creation. It is associated with the operation of Conjunction and represented by the green ore of copper.

Direction : North

Rules : Growth, prosperity, nature, wealth, abundence, wisdom

Elemental : Gnomes, trolls

Time : Midnight

Season : Winter

Colors : Black, brown, dark green

Tools : Stone, Pentagram

Zodiac : Taurus, Virgo, Capricorn

Animals : Bull, stag, bison, mouse

Places : Caves, mountains, forests, caverns


Fire is one of the Four Elements of alchemy. Fire in the alchemical sense carries the archetypal properties of activity and transformation. It is associated with the operation of Calcination and represented by the metal lead.

Direction : South Rules : Energy, heat, will, purification, inspiration, passion, desire

Elemental : Firedrakes, Salamanders

Time : Noon

Season : Summer

Colors : Red, crimson, orange, fuscia

Tools : Wand, staff

Zodiac : Aries, Leo, Sagittarius

Animals : Dragons, snakes, lizards

Places : Deserts, volcanoes, dry plains


Water is one of the Four Elements of alchemy. Water in the alchemical sense carries the archetypal properties of cleansing and purification. It is associated with the operation of Dissolution and represented by the metal tin.

Direction : West

Rules : Emotions, feelings, love, intuition, the sub-conscious mind, mystery, fertility

Elemental : Mermaids, Undines

Time : Twilight

Season : Autumn

Colors : Blue, indigo, green, grey, turquoise

Tools : Cauldron, chalice

Zodiac : Cancer, Scorpio, Pisces

Animals : Dolphins, whales, fish, seals, Sea-serpents

Places : Oceans, rivers, lakes, marshes, pools, raindrenched land


The arcana ("magical secrets") are archetypal influences that transcend space and time. According to the ancient text Archidoxies, the arcana are pre-existing powers that "have the power of transmuting, altering, and restoring us." In this view, the arcana are the secret workings of the mind of God, the logos of the Greeks or what the alchemists referred to as the thoughts of the One Mind. In the Tarot, the arcana are represented by symbolic drawings that the reader tries to work with through meditation. In the Cabala, the arcana are represented by the esoteric properties of the letters of the Hebrew alphabet, energies that the cabalist tries to work with in the Tree of Life. In the in the ancient Chinese system of divination, the I Ching, the arcana are represented by the sixty-four trigrams, each with its own properties and influences. The alchemists believed the arcana were expressed on all levels of reality, from chemical compounds to our innermost moods and desires.


The term "Azoth" is formed from the first and last letters of the English alphabet ("a" and "z"), which stand for the beginning and end of all creation -- the alpha and omega of the Greek philosophers, the aleph and tau of the Hebrew cabalists. Therefore the Azoth is the ultimate arcanum, the universal spirit of God in all created things. The alchemists believed that the liquid metal mercury carried the signature of this omnipotent archetypal spirit.


The Basilisk is a symbolic alchemical creature said to have the head of a bird and the body of a dragon. The wingless serpentine animal was hatched from a hermaphroditic cock's egg and nursed by a serpent. Psychologically, the Basilisk represents the melding of our higher and lower natures in Conjunction, a process that must be continued in the next three operations of alchemy for this "Child of the Philosophers" to become the Living Stone of the fully integrated Self. Biologically, the Basilisk represents the mammalian embryology, the genetic replaying of the stages of evolution within the egg or womb. The Basilisk also has chemical connotations, which probably have to do with a metallurgical process involving cinnabar.


The caduceus is the magical staff of Hermes, the Messenger of the Gods and revealer of alchemy. The staff is entwined by two serpents representing the solar and lunar forces. Their union is the Conjunction of alchemical principles and their offspring, if it lives, is the Stone. This Stone is represented as a golden ball with wings at the top of the caduceus.


Appearances of the Greek goddess Diana in alchemical drawings and treatises signify the Moon and Lunar consciousness.


The dragon in flames is a symbol of fire and Calcination. Several dragons fighting is symbolic of Putrefaction. Dragons with wings represent the volatile principle; dragons without wings represent the fixed principle. A dragons biting its own tale is the Ouroboros and signifies the fundamental unity of all things.


The Latin name of Jabir ibn Hayyan (721 - 815 A.D.). He is the father of both Islamic and European alchemy. He knew of the existence of the Emerald Tablet and spread the doctrines of the Four Elements and the Mercury-Sulfur theory of the generation of the metals.


The griffin is a half-lion and half-eagle creature that symbolizes the Conjunction of the fixed and volatile principles. An allusion to the Vessel of Hermes.


Mercury, called Quicksilver by the ancients, is a liquid metal that could be found weeping through cracks in certain rocks or accumulating in small puddles in mountain grottos. It was also obtained by roasting cinnabar (mercury sulfide). The shiny metal would seep from the rocks and drip down into the ashes, from which it was later collected. The early alchemists made red mercuric oxide by heating quicksilver in a solution of nitric acid. The acid, which later alchemists called "aqua fortis," was made by pouring sulfuric acid over saltpeter. The reaction of quicksilver in nitric acid is impressive. A thick red vapor hovers over the surface and bright red crystals precipitate to the bottom. This striking chemical reaction demonstrated the simultaneous separation of mercury into the Above and the Below. Mercury's all-encompassing properties were exhibited in other compounds too. If mercury was heated in a long-necked flask, it oxidized into a highly poisonous white powder (white mercuric oxide) and therapeutic red crystals (red mercuric oxide). Calomel (mercury chloride) was a powerful medicine, unless it was directly exposed to light, in which case it became a deadly poison. When mixed with other metals, liquid mercury tended to unite with them and form hardened amalgams. These and other properties convinced alchemists that mercury transcended both the solid and liquid states, both earth and heaven, both life and death. It symbolized Hermes himself, the guide to the Above and Below.


The Ouroboros (or Uroboros) is the symbolic rendition of the eternal principles presented in the Emerald Tablet. The great serpent devouring itself represents the idea that "All Is One," even though the universe undergoes periodic cycles of destruction and creation (or resurrection). In Orphic and Mithraic symbology, the Ouroboros was called the Agathos Daimon or "Good Spirit" and was a symbol for the "Operation of the Sun." In Greek terminology, the Ouroboros was the Aion, which Herakleitos likened to a child at play. To the Greeks, the Aion (from which our word "eon" is derived) defined the cosmic period between the creation and destruction of the universe.


The Quintessence is the fifth element with which the alchemists could work. It was the essential presence of something or someone, the living thing itself that animated or gave something its deepest characteristics. The Quintessence partakes of both the Above and the Below, the mental as well as the material. It can be thought of as the ethereal embodiment of the life force that we encounter in dreams and altered states of consciousness. It is the purest individual essence of something that we must unveil and understand in order to transform it.


Salt is the third heavenly substance in alchemy and represents the final manifestation of the perfected Stone. The Emerald Tablet calls it "the Glory of the Whole Universe." For Paracelsus, Salt was like a balsam the body produced to shield itself from decay. It has also been associated with the Ouroboros, the Stone, and the Astral Body. In general, Salt represents the action of thought on matter, be it the One Mind acting on the One Thing of the universe or the alchemist meditating in his inner laboratory.


Soul in alchemy is the passive presence in all of us that survives through all eternity and is therefore part of the original substance (First Matter) of the universe. Ultimately, it is the One Thing of the universe. Soul was considered beyond the four material elements and thus conceptualized as a fifth element (or Quintessence).


Two serpents represent the opposing masculine and feminine energies of the Work. Three serpents stand for the three higher principles of Sulfur, Mercury, and Salt. Wingd serpents represent volatile substances; wingless serpents represent fixed substances. A crucified serpent represents the fixation of the volatile.


The Stone is the goal of the Great Work. It was viewed as a magical touchstone that could immediately perfect any substance or situation. The Philosopher's Stone has been associated with the Salt of the World, the Astral Body, the Elixir, and even Jesus Christ.

Three levels

The key to understanding alchemy is to realize that alchemical thought is extremely dynamic and takes places on three levels at once: the physical, the psychological, and the spiritual. Thus turning lead into gold meant not only physically changing the base metal into the noble metal, but also transforming base habits and emotions into golden thoughts and feelings, as well as transmuting our dark and ignoble souls into the golden light of spirit. By developing this ability to think and work on all three levels of reality at once (becoming "thrice-greatest"), the alchemists created a spiritual technology that applied not only to their laboratories but also to their own personalities and to their relationships with other people, and with Godhead.


According to the Doctrine of Correspondences in the Emerald Tablet ("As Above, so Below"), the stars must find expression on earth and in mankind. In alchemy, it was essential to consult the zodiac before commencing any of the major operations.

Return to the Main Menu

Image used in intro animation: "Alatna" by Jerry Composano